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8 January 1836 – 25 June 1912. Most renowned painters.

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Alexander Roslin
Portrait of Ivan Ivanovich Betskoi (1704-1795)

ID: 66138

Alexander Roslin Portrait of Ivan Ivanovich Betskoi (1704-1795)
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Alexander Roslin Portrait of Ivan Ivanovich Betskoi (1704-1795)


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Alexander Roslin

1718--93 Swedish painter and pastellist, active in Germany and France. He trained with Lars Ehrenbill (1697-1747), a draughtsman employed by the Admiralty in Malmö, and in Stockholm under Georg Engelhardt Schräder (1684-1750), a portrait painter working in the tradition of Hyacinthe Rigaud and Nicolas de Largillierre. In 1741 Roslin moved to Göteborg, but the following year he returned to Malmö, where he executed devotional works for the parish church of Hasslöv, Halland, and began establishing himself as a portrait painter.   Related Paintings of Alexander Roslin :. | Portrait of Sophie Dorothea of Werttemberg | hertig karl | magdalen sofia coyet, f. horn af rantzien | greve ulrik scheffer, svenskt sandebud i paris | gustav |
Related Artists:
Giovanni Michele Graneri
painted The Teatro Regio in Turin in 1752
MAZZOLA BEDOLI, Girolamo
Italian painter, Parma school (b. 1500, Viadana, d. ca. 1569, Parma)
Mercier, Philippe
French Painter, ca.1689-1760 was a French painter and etcher, who lived principally and was active in England. He was born in Berlin of French extraction, the son of a Huguenot tapestry-worker. He studied painting at the Akademie der Wissenschaften of Berlin[1] and later under Antoine Pesne, who had arrived in Berlin in 1710. Later, he traveled in Italy and France before arriving in London??"recommended by the Court at Hannover"??probably in 1716. He married in London in 1719 and lived in Leicester Fields. He was appointed principal painter and librarian to the Prince and Princess of Wales at their independent establishment in Leicester Fields, and while he was in favor he painted various portraits of the Royalties, and no doubt many of the nobility and gentry. Of the Royal portraits, those of the Prince of Wales and of his three sisters, painted in 1728, were all engraved in mezzotint by Jean Pierre Simon, and that of the three elder children of the Prince of Wales by the John Faber Junior in 1744. This last was a typical piece of Mercier's composition, the children being made the subject of a spirited, if somewhat childish, allegory in their game of play. Prince George is represented with a firelock on his shoulder, teaching a dog his drill






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